Lynn Johnston

Location: Ontario | Profession: Comic Book Artist

"I really felt badly for not graduating because I’m not a quitter, but at the same time, I also didn’t want to waste another two years doing something I didn’t think was exciting or up to date."

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'For Better or For Worse'

Lyn


Lynn Johnston

Profile

Timeline

 
       
       
       
     
         
         
         
         
      After dreaming of being an animator as a young girl, Lynn Johnston had to
      reconcile herself to the fact that she’d need to pursue something more
      practical. For this reason, she began studying commercial art at the
      Vancouver School of Art. After two years, however, Johnston could no longer
      cope. The course was behind the times. She wanted to be working in a cutting
      edge studio not a stuffy classroom. Thanks to her father, Johnston managed
      to secure a job in the ink and paper department at Canada West, a Vancouver
      company preparing programming for Hanna Barbara.

      Though she was later offered a job in LA’s famed J. Ward studios, her
      husband at the time refused to let her take it, moving the family to
      Hamilton, Ontario. There, she was forced to take work as a medical artist at
      Hamilton General Hospital and McMaster University. The gradual breakdown of
      her marriage, however, saw Johnston leave her job and then find herself
      alone with a child. With nowhere else to turn, she took a job at Standard
      Engravers, an industrial packaging company. Though this position seemed like
      a significant step down to her at the time, Johnston now sites it as one
      where she learned an immense amount.

      One day, Johnston’s obstetrician approached her with an idea. While she had
      been pregant several years earlier, she drew up to 80 comic illustrations on
      his office ceiling, playfully evoking the wonders and weirdnesses of
      childbirth. “Why,” he asked, “don’t we make it into a book?” With the
      doctor’s help, Johnston found a publisher and unleashed her first book,
      David, We’re Pregant, on a gradually receptive public.

      Though she struggled to see a penny from her first two books, Johnston
      ultimately found an American publisher who shower her work to the Universal
      Press Syndicate, saying “Either you syndicate her, or I will.” Soon
      thereafter, Johnston received a letter from UPS asking for twenty sample
      comics. The strips she churned out, about a family called a family modelled
      on her own, would represent the nascent stages of For Better or For
      Worse
      , one of North America’s most beloved and successful strips.